Saturday, November 16, 2019
McGilligan also provides whatever details still survive about some phantom Micheaux films -- projects that were referred to in the press but are not known to survive or were even to have been produced or completed at all. Among the most intriguing of the lost Micheaux films are his first, THE HOMESTEADER (1918), based on his first novel, and his final film, THE BETRAYAL (1948), which ran over three hours and from the description sounds like a fascinating capstone to Micheaux's long career that brought together many of his favorite themes.
McGilligan paints a rich portrait of one of the most significant, but also enigmatic, figures in film history. The book is a much-needed examination of Micheaux's life and career. Through it all, Micheaux emerges as a larger-and-than life figure who tirelessly pursued and realized his artistic ambitions against significant challenges.
Posted by Matt Barry at 10:58 PM