Middling late-career Lubitsch comedy, with Merle Oberon and Melvyn Douglas as a couple whose marriage is tested when Oberon begins to question her happiness. The humor in Donald Ogden Stewart and Walter Reisch's script is pretty mild, and Oberon and Douglas lack the chemistry to really make the material work. Burgess Meredith, however, is quite effective as the neurotic, temperamental concert pianist who comes between the couple. Overall it feels less like a film by Lubitsch, and more like a work by a lesser director attempting to make a comedy in the Lubitsch style.
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