I always joke that I'm about 20 years behind the times when it comes to catching up with movies. I watch so many older films that by the time I catch up with "current" releases of any given year, they're already a decade or two in the past. I'm making more of an effort to see films when they're new, but with so much to catch up on from years past, I find myself just trying to keep ahead of what's coming out.
I finally caught up with Christopher Nolan's Memento, a film I remember hearing a great deal about when it was first released. I was familiar with the film's intriguing premise, which I'd heard discussed so often that it almost felt like I'd already seen the movie. While the premise of the film is indeed intriguing, I couldn't help feeling that there just wasn't enough beyond that to sustain the entire film. Perhaps if I'd seen it when it was new it would have made more of an impact on me. This was another one of those films from the late '90s-early 2000s that operated from an unusual narrative angle, similar to Charlie Kaufman's films like Being John Malkovich or Adaptation. There seemed to be a real vogue for that kind of storytelling for a while.